June 16, 2025
12
minutes
Cel animation... haven't heard that name in a while.
When you think of classic animated films like Snow White and the Seven Dwarfs or The Little Mermaid, you're thinking of the magic of cel animation, a painstaking, beautiful art form that defined the golden age of animation. Before digital tools and computer programs revolutionized the animation process, artists brought characters to life by hand, frame by frame, using transparent cels layered over painted backgrounds.
Despite the dominance of computer animation today, understanding traditional animation techniques like cel animation offers a unique window into the artistry, innovation, and dedication that laid the foundation for all modern animation.
In this blog, we’ll explore the cel animation process, trace its historical significance, explain how it works, and highlight its continued influence in today’s digital landscape.
Cel animation (short for “celluloid animation”) is a traditional animation technique in which animators use transparent sheets that were originally made from actual celluloid, a plastic called cellulose acetate—to draw and paint individual animation frames.
These animation cels are then layered over static backgrounds and photographed in sequence to create movement. This approach became the dominant form of animation during the early 20th century, especially within Walt Disney Studios, where teams of artists drew and painted each individual frame by hand.
Creating a cel animated film is a labor-intensive endeavor. Here’s a step-by-step breakdown of the production process:
Before anything is drawn, the team develops a storyboard to visualize the narrative. They sketch rough scenes, transitions, and dialogues to guide the animation.
Model sheets are created to ensure consistency in character proportions and expressions. Dope sheets (timing charts) provide technical instructions for animators, specifying timing, dialogue sync, and action breakdown.
Animators begin by sketching major poses and key movements with pencil strokes. These serve as the foundation of the sequence. In limited animation, artists may rely on animation loops to reduce the number of drawings required, especially for repeating actions like walking or blinking.
Clean versions of the sketches are created, typically on transparent cels. Artists then use black ink on the reverse side of the cel to trace the cleaned lines. This process, known as ink and paint, ensures clean, consistent outlines.
The opposite side of the cel is filled with color. Each layer, character, shadow, prop, may have its own cel, contributing to a richly layered scene when stacked together.
The painted cels are placed over meticulously hand painted backgrounds. For scenes with depth, multiple layers are used and filmed with a multiplane camera, an innovation perfected by Walt Disney to give animation a 3D-like effect.
Each layered setup is photographed frame by frame. These images are compiled into a leica reel, then synchronized with sound effects, music, and dialogue to create a final cut.
The first half of the 20th century was truly the golden age of cel animation. In 1937, Disney released Snow White and the Seven Dwarfs, the world’s first feature-length hand drawn animation film. This milestone demonstrated the storytelling potential of cel animation and opened the door to many more classics.
Some of the most celebrated cel animation examples include:
These Disney films featured extensive use of multiple cels, richly detailed backgrounds, and fluid character animation, all created through manual artistry.
The early 1990s marked a turning point. Studios began replacing cel overlay techniques with digital tools. Walt Disney Studios collaborated with Pixar to develop the Computer Animation Production System (CAPS), a groundbreaking platform that digitized the ink and paint process.
While the tools changed, many core elements of traditional animation remained, like planning with dope sheets, using model sheets, and animating frame by frame.
Though digital animation is now standard, learning about cel animation teaches valuable skills and principles:
Even modern techniques often reference the aesthetics of traditional cel animation. Animators intentionally simulate pencil strokes, color bleeding, or texture to evoke nostalgia and warmth in storytelling.
If you're curious how cel compares to other animation styles still used today, from stop motion to 3D, check out our guide to animation styles for a broader perspective on how different techniques shape storytelling.
Here’s a quick glossary of the essential tools and materials:
Though traditional animation cels are no longer in mass use, many modern creators and indie studios pay homage to the cel animation process. Some even incorporate transparent cels into hybrid projects—combining hand drawn elements with computer animation.
Modern productions may use digital tools to simulate cel-style animation, keeping the texture and timing of old while benefiting from new efficiencies.
Tools like:
Some studios also revive the cel look using filters and digital overlays, showing that the appeal of cel animation hasn’t faded, it has evolved.
Cel animation is no longer widely used due to the rise of digital animation techniques that are faster, more cost-effective, and easier to revise. Traditional cel animation, where each frame is hand-drawn on transparent celluloid sheets, requires an immense amount of manual labor and physical materials. This method, while beautiful, is also time-consuming and resource-heavy.
In contrast, digital animation allows artists to draw directly onto tablets or computers, enabling faster workflows, instant edits, and lower production costs. Studios can now use 2D animation software to mimic the aesthetic of cel animation without the limitations of analog production.
While cel animation is still admired for its nostalgic and artistic value, most animation studios today have shifted to digital 2D animation or 3D animation for efficiency and scalability. The decline in cel animation is less about artistic merit and more about practicality in the modern media landscape.
Cel animation is expensive because it involves frame-by-frame hand-drawing, a labor-intensive process that demands a high level of artistic skill and time. For a standard 24 frames per second film, animators must draw thousands of individual cels just for a few minutes of footage. Each cel must then be inked, painted, and photographed, adding to the production timeline and cost.
In addition to the labor, traditional cel animation also requires specialized materials like celluloid sheets, acrylic paints, and animation cameras, all of which are costly and increasingly rare today. Maintaining consistent quality across hundreds or thousands of frames also requires a team of trained artists, often including character animators, background artists, and clean-up crews.
Because of these factors, manual labor, specialized tools, and extensive production time, cel animation is significantly more expensive than modern digital animation, which can automate or streamline many of these steps. The cost reflects the craftsmanship and time involved, making cel animation a premium and often nostalgic art form.
Digital technology has transformed the entire process of animation, streamlining workflows and making major productions faster, more flexible, and globally collaborative.
The beauty of cel animation lies in its tactile charm, its layers of color and movement, and the sheer human effort involved in every frame. While we now enjoy the wonders of digital animation, the roots of the craft trace back to transparent cels, black ink, and teams of artists who brought characters to life one drawing at a time.
Whether you're a professional animator, a student of animation techniques, or just someone who appreciates the art of storytelling, cel animation offers something invaluable: a reminder that great animation isn’t just about software, it’s about soul, skill, and creativity.
Want to bring that same storytelling magic to your next project? Let’s create something unforgettable together.